XANTHRA DUFRANE
Cambria  is a meditation on the American landscape, its past, present and uncertain future.  My connection to the land began when I discovered a creek filled with marine fossils from the Cretaceous period near my childhood home in central New Jersey. The creek cut through the forest floor, exposing strata of colored clay and mud. Along its banks lay the rubble of time: evidence of an ancient sea, worm-holed clam shells, and squid pens turned to amber glass. This experience sparked a fascination with how land preserves its history in the geological record akin to a monumental form of photography. I return to these lands at the margins because they inspire me to consider timescales that exceed the anthropocentric, while recognizing the violence of humanity’s impact in the sliver of time we inhabit.

Untitled (Cambria Object I). Deer innominate; found porcelain; ceramic; epoxy clay.
 



Untitled (Mound), 2025.  Archival pigment print.
Untitled (Clouds), 2025. Gelatin silver print.
Untitled (twin houses), 2025.  Gelatin silver print.
Untitled (Van), 2025. Gelatin silver print.
Untitled (Fork), 2025. Gelatin silver print.
Untitled (Pool), 2025.  Gelatin silver print.




Untitled (Cambria Object II). High fire ceramic.



Untitled (Creek I), 2023. Archival pigment print.
Untitled (fog house), 2025. Archival pigment print
Untitled (Plastic). Archical pigment print.
Untitled (graffiti), 2025. Silver gelatin print
Untitled (pitchfork), 2025. Archival pigment print
Untitled (Patton Swamp), 2025. Gelatin silver print.
Untitled (Patton Town), 2025. Gelatin silver print










Overpass (clip)












Untitled (phragmites), 2023. Archival pigment print
Untitled (house from woods), 2025. Gelatin silver print
Untitled (wetlands night), 2023. Archival pigment print










Untitled (Cambria Object III). High fire ceramic; found creosote.