Cambria
is a mediation on the American landscape, its past, present and uncertain future. Inspired in part by Ada Limón’s poem “Overpass,” this project began with long walks on the margins of rural communities near where my family is from, and where I lived for a time as a child. What started as a personal search for connection between self and the land evolved into an exploration of the complex tensions between humanity and the natural world. In these spaces, human histories and personal memories are both written into and overshadowed by forces that exceed human scale. Through photography, field recordings, and sculptural materials, Cambria reflects on the connection between the land and body, and on the ways in which landscape serves as a vessel for memory.
Untitled (Cambria Object I). Deer innomate; found porcelain; ceramic; epoxy clay.
Untitled (Mound), 2025. Archival pigment print.Untitled (Clouds), 2025. Gelatin silver print.Untitled (twin houses), 2025. Gelatin silver print.Untitled (Van), 2025. Gelatin silver print.Untitled (Fork), 2025. Gelatin silver print.Untitled (Pool), 2025. Gelatin silver print.
Untitled (Cambria Object II). High fire ceramic.
Untitled (Creek I), 2023. Archival pigment print.Untitled (fog house), 2025. Archival pigment printUntitled (Plastic). Archical pigment print.Untitled (graffiti), 2025. Silver gelatin printUntitled (pitchfork), 2025. Archival pigment printUntitled (Patton Swamp), 2025. Gelatin silver print.Untitled (Patton Town), 2025. Gelatin silver print
Overpass (clip)
Sound designed and edited by Xan DuFrane
with music and vocals by Lucia Kolk
Untitled (phragmites), 2023. Archival pigment printUntitled (house from woods), 2025. Gelatin silver printUntitled (wetlands night), 2023. Archival pigment print
Untitled (Cambria Object III). High fire ceramic; found creosote.